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Medieval Gold CoinsIt is far easier for the numismatist to define the Medieval (middle age) period than for the historian. Medieval coins are flat, large, bombastic pieces that replace iconography of Christ with iconography of men inspired by Christ: Kings and Knights and Saints, while Christ is relegated to peripheral legends. This is especially true for French, English, and Spanish coinage which were principally minted for Royal purposes such as war, large scale building, and as presentation pieces designed to show off wealth and power. Meanwhile the trade coinage of Florence (beginning 1252)and Venice (beginning 1282) were based on economies of bankers, merchants, and businessmen, and thus exhibit far more cointinuity in use and presentation with the Byzantine Solidus. Late Byzantine coinage continues to play a role in trade (though in ever degraded form) through the fall of Constantinople in 1453. Though the West falls into a relative intellectual Darkness in the medieval period (with the exception of Italy), in the Middle East it is the period of the Islamic Golden Age. The Muslim Princes produced an extensive gold coinage, but on account of the prohibition against graven images it is a coinage that is exceedingly difficult to destinguish for the Western eye. Strange, (at least to me), they did produce graven images on silver coins - like the beautiful dirham below. Crusader gold coinage is imitative of Islamic coinage. A NOTE ON QUALITY: Most advanced medieval collectors prize coins that are well struck and centered on a full round flan, without chips, cracks or frayed edges; while grading companies look only at "Existing mint lustre." Thus encapsulated grades are near worthless at auction. It is important to remember, too, that in high grade medieval gold is very rare compared to all other periods, even ancient gold. This is because a) the pieces are large, thin and very low relief, so they are easily distressed, and b) because of the breakdown of international trade, gold was everywhere in very short supply. click the coins to see larger images: |
SELJUQ OF RUM, KAYKHUSRU II, (GIYATH AL DIN) 634-644 AH / 1236-1245 AD, AR DIRHAM, STRUCK AT SIVAS, IN 639 AH, (CLEAR MINT AND DATE) SUN AND LION MOTIF, ALBUM TYPE 1218, MITCHINER MWIS-982 EF (superior for the issue)..........$425 |
The first crusade to "liberate Jerusalem", dating from 1096, was instigated by Pope Gregory VII and Byzantine emperor Alexios I. It followed the violent anti schismatic movement of orthodox Christianity that spread through all of Europe, Scandinavia and the Balkans in the 11th century. Though this period marked the beginning of the end of Byzantine power, Byzantine culture spread through Europe, much as Greek culture had spread through Imperial Rome, upon the demise of Greece. It is an amusing note that the blundered kufic inscriptions included on crusader coinage read: Obverse outer: "Mohammad is the messenger of God; he sent him with the guidance and the rightful religion to make it prevail over all other religions, even if the polytheists dislike it "And inner:: "there is no God but Allah; Ali is the representative of Allah." Reverse outer: "In the name of God of mercy, the merciful, struck was this dinar at Alexandria in the year four and five hundred. Inner: "Father of Ali, the commander by the laws of God, the prince of the believers " |
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CRUSADERS Latin Kingdom of Jerusalem
Balduin III., 1143-1163. AV Bezant (3.91g) sarracinatus, early type with perfectly legible Arabic legends, imitating a dinar of the Fatimid caliph al-Amir, dated 514 H, but without mint name, probably struck in Jerusalem. Balog/Yvon 23. EF.............................$1250 |
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CRUSADERS, Latin Kingdom of Jerusalem
Balduin III., 1143-1163. |
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CRUSADERS, Latin Kingdom of Jerusalem. AV Bezant (3.92 gm). Imitating the Dinar of Caliph al-Amir. Acre mint. Third phase, circa 1187-1260 or later. Legible but crude Cufic inscriptions on obverse and reverse; : in central panel of reverse. Balog & Yvon 32; Metcalf, Crusades p. 49 Rare |
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ITALY SICILY
EF for the issue.....................$375 |
| The first true Western Medieval piece, apart from the solidus-inspired trade coinage of Venice and Florence, is the Salut D'or of Charles I of Anjou, son of Louis XVIII of France, Count of Provence and King of Naples and Sicily, and a leader of the VII and VIII Crusades. This piece depicting the annunciation was designed by Charles and engraved by Giovanni Fortino. |
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Naples, Charles I of Anjou 1266-1278. Salut d'or, ND. Fr-808; CNI-XIX pl.15,1; Biaggi-1624. (4.37 grams). Split arms of Jerusalem and Anjou. Leg: +KAROL' DEI GRA IERL'M SICILIE REX. Reverse: The Annunciation: lily in vase below. Leg: AVE GRACIA PLENA DOMINUS TECUM. - Rare. Near EF.........................sold |
| Philip IV (the Beautiful) of France was responsible for modernizing the French government and legal system. He also moved the Papacy from Rome to Avignon. He then struck a coin that would become a staple of European coinage: The lamb of God. This coin suggested that Philip was a humble servant of God, rather than a King who owned the Pope. |
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KINGS of FRANCE. Philip IV. Le Bel EF...............................$21,500 |
| Philip VI of France issued an extensive gold coinage, a tribute to France at the apex of her medieval power. Among the many designs introduced by Philip, is the first Gold Angel, in which the Archangel Michael kills the dragon, a symbol of the Devil. A variation on this design becomes a staple of English coinage in the next century. |
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KINGS of FRANCE PHILIP VI. 1328-1350. Ange d'or (6,50 g) (1341). The archangel Michael standing under an arch holding a shield and scepter, stabbing a dragon under foot/. Floreate cross in quadrilobe with four crowns . Dupl. 255A. Ciani 277. Fr. 273. Extremely Rare. Provenance: Sanssouci Collection (graded AU) EF...........................sold |
| ANGLO-GALLIC Edward the Black Prince of Aquitaine 1362-372. Guyennois d'or (3.89g) Armored Prince standing under gothic portal holding sword and sheild with arms of England and France, two lions/ foliate cross, two lis, two leopards, FR. 7 Provenance Kroisos Collection (graded EF) Very Rare Near EF ....................sold |
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Spain, Castile and Leon, Pedro the Cruel (1350-69), gold Dobla, (4.49g.), Seville, crowned, draped bust left, petrvs dei gracia rex castelle e legoni, rev. arms, quartered castles and lions, legend as obverse but ends legonis (Cay.1212; F.105) Very Rare. lovely portrait Near EF.......................$5600 |
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SPAIN, Castile & Leon. Juan II. |
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Low Countries, Flanders, Louis de Maele (1346-84), Flandres d'or (Franc à Pied) (4.21g.), Ghent, king standing with ermines on cloak, rev. initials flad and cross in quadrilobe (Del.464; Fr.161) Rare EF........................$4600 |
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Low Countries Flanders Louis de Male 1346-1384. Lion heaumé d'or.
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.Low Countries, Brabant, Jean & Wenceslas EF....................$2700 |
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Low Countries, Flanders. Philippe Le Bon. EF....................................$3400 |
| The Italian City States Venice, Florence and Genoa all developed a trade coinage that complimented a sophisticated network of banks. The Italian bankers revived the practice of letters of credit, which helped fund a boom in international trade as well as the crusades and the 100 years war. It has been speculated that the Edward the Black Prince earned his name by welching on a loan and bringing down a large Venetian Bank |
ITALY, Florence republic Gold Florin (3.54gm.) Lily Florentia spot of encrustation at 2 o'clock of obverse, otherwise: |
| GERMANY, BRANDEBOURG-FRANCONIE, Friedrich von Ansbach and Sigismund von Kulmbach (1486-1495), AV florin, s.d. (3,26g) Schwabach. Saint John the Baptist, with lamb of God. Dog's head./ Floriate Cross with the shieilds of: Brandebourg, Poméranie, Burggraf and Zollern.: von Schrötter, 360; Fr., 305. Good VF...............................$1450 |
For info, comments, purchase requests contact: Jeff Kahn at Jkahn21@nyc.rr.com
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